Critic Reviews for Angelo
[Schleinzer's] tartly brilliant second feature is awash with slow-building irony, though as with his first, there's precious little mirth in its devastating kicker.
Angelo is the most radical and different formalist proposal of the entire official [film festival] section. [Full review in Spanish]
One wonders what a black filmmaker would have made of the same story, unencumbered by the need to make this ultimately obvious point about the way whiteness burns through everyone it touches.
Angelo is a mesmerising portrait of a man of quiet dignity whose very humanity is denied by those around him.
Schleinzer evokes levels of toxicity which are both effective and memorable in the final frame of Angelo.
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